![]() My personal take on digital 'solutions' is pretty simple - I don't have fun, it doesn't feel inspiring, and I have never had a 'memorable moment' using one. But the sentence and a half above perfectly sums up what many tube amp users see as significant factors outside of sound. I haven’t tried changing the tubes or impedance curve in the Fractal to me a 1:1 match, but I don’t believe it would take a lot of effort.Ĭlick to expand.I'm not going to comment on tone at all - obviously so subjective. It’s the same way they don’t feel ‘normal’ if you turn off the power amp sim in the amp block and run a 6L6 modeled amp you’ve played through for years into an E元4 power section of a real amp IE- my Shiva has E元4’s, the Fractal model is a 20th with KT88’s, it’s a subtle difference, but running the 20th model into the return of my actual Shiva has a slightly different response than playing the model on it’s own/through a class D amp. ![]() I’d just stay on one amp and adjust the EQ if that were the case. ![]() You can dial a Dual Rec and a 5150 in to sound as close as possible, they still won’t feel the same to play through and if I didn’t get that same difference in response, this shit wouldn’t be near as much fun as it is to use. I’ve never used another hardware modeler outside of the AxeFX III/FM9, but when I first started dialing in Mark IV, Dual Rec and 5150 presets, amps that I owned and gigged for years, that shit made me laugh with how spot on the feel was and how I had to dial them in the same way to get the response I was looking for. The Thermionik was the first Mesa sim that got close, but there was still that disconnected feeling when using them. This amp features ferocious lows and searing highs while preserving clarity throughout its tone spectrum.I’ve yet to play any software that felt appealing to play, I used them for about a year, Amplitube’s Mesa suite, some LePou stuff and the Thermionik stuff. Defined by an impressive dynamic range and an upper midrange boost, this amp sounds great when chugging out power chords and blazing through solos.Īttention high-gain junkies – the Diesel VH4 is the perfect amp for anyone looking to add some dirt to their tone. The British Lead 800 is the quintessential rock 'n' roll amp. Its deep, bassy resonance and silky smooth cleans will bring out your guitar’s true tone. A touch of bite and a lush low-end define its shimmering cleans, while its clarity remains as you explore varying volume levels.įor the aficionados of blues and rock, the British Breaker amp is what you’re looking for. Get a taste of classic British clean tone with the Match DC amp. This amp sounds great for any genre from jazz to hard rock. Plug into the Jazz Clean amp – the epitome of pristine clean tones that defined the sound of the '70s. Your browser does not support the video tag. Crafted with an all-new, dynamically detailed DSP engine, these brand new amps have been fine-tuned to provide enhanced accuracy in both dynamics and tone. This time around, the focus is mainly on cleans, while also introducing a sprinkle of crunch and high-gain goodness. The latest BIAS FX 2 update unveils an expansion to the RMST series amp collection that was introduced in the last BIAS update.
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